It's a much different edit of the material and is well worth the price of the disc alone. If you're a hardcore lover of Chaney or this film, this is the version to watch. This version does not contain the technicolor footage, though those scenes are still here. This version in presented in 1.37:1, with a piano score by Frederick Hodges. And both cuts here feature the technicolor "Bal Masque" sequence.įinally, there's a standard definition copy of the original, vastly different, 114-minute original theatrical release – this is the longest known copy of the film, which has been struck from a recovered 6MM print. This cut includes an immeasurably in-depth feature-length audio essay with film historian Dr. From what I gather, it's basically the same film as the 78-minute cut, just played a bit slower. There's also a 92-minute version of the film, presented in 1.2:1, 20 frames a second, with a score by Gabriel Thibaudeau. It's probably the best version of the film available, retaining the best aspects of the film without some of the more tedious elements. There's a tightly edited 78-minute cut, presented in 1.2:1, 24 frames a second, with a score by Alloy Orchestra and Gaylord Carter (mixed in stereo). There are three versions of the film on this Blu-ray. If you're in the mood for a vintage slice of horror, The Phantom of the Opera is a great movie to explore. His performance is haunting and visceral, and the self-applied makeup effects employed to bring his monstrous face to life are just breathtaking for the era. Lon Chaney is the real reason to see this film. Phantom also doesn't quite reach the intensity of The Hunchback of Notre Dame, Universal's second monster movie, following the short film Dr. It's a great film, to be sure, but a movie that probably would have been much better had it been made just a few years later, outside the silent film era.
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